单选题----Why not live in your new house?----Sounds a good idea, but it______. It will be OK next month.Awill paintBhad paintedCis being paintedDhas been
单选题
----Why not live in your new house?----Sounds a good idea, but it______. It will be OK next month.
A
will paint
B
had painted
C
is being painted
D
has been
参考解析
解析：
相关考题：
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East London has traditional ly been an area which has attracted immigrants.The chance to find jobs in London has led to immigrants from many different parts of the world living there.Also, because it was the home of London s docks, it was easy for people to get there by ship.One famous bui lding in Brick Lane has been a church, a synagogue and is now a mosque Nowadays this part of London, which is known as the East End.is home to people from many different parts of the world.including Africa, Asia and the Caribbean.This means that there are many shops and restaurants selling ethnic food.In the past the East End was one of the poorest parts of London, but now it is becoming more fashionable and house prices are rising rapidly.This is because many people want to live near to where they work in the centre of the city.Also improved transport links to both other parts of London and to other countries via the Channel Tunnel train station and Dock lands Airport have attracted more people to the area.21.East London has()A.has never been a home for immigrantsB.has recently become a home for immigrantsC.has always been a home for immigrants22.Immigrants are attracted by()A.low house pricesB.jobsC.ethnic food23.London s docks were()A.easy to reach by planeB.mainly in East LondonC.a good place to find work24.East London()A.is a cheap place to liveB.has never been a cheap place to live inC.ued to be a cheap place to live in25.House prices are rising rapidly because()A.it has good transport links and more people want to live there near the center of LondonB.there are lots of jobs in East LondonC.there are lots of good shops and restaurants
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Text 1 The decision of the New York Philharmonic to hire Alan Gilbert as its next music director has been the talk of the classical-music world ever since the sudden announcement of his appointment in 2009.For the most part,the response has been favorable,to say the least.“Hooray!At last!”wrote Anthony Tommasini,a sober-sided classical-music critic.One of the reasons why the appointment came as such a surprise,however,is that Gilbert is comparatively little known.Even Tommasini,who had advocated Gilbert’s appointment in the Times,calls him“an unpretentious musician with no air of the formidable conductor about him.”As a description of the next music director of an orchestra that has hitherto been led by musicians like Gustav Mahler and Pierre Boulez,that seems likely to have struck at least some Times readers as faint praise.For my part,I have no idea whether Gilbert is a great conductor or even a good one.To be sure,he performs an impressive variety of interesting compositions,but it is not necessary for me to visit Avery Fisher Hall,or anywhere else,to hear interesting orchestral music.All I have to do is to go to my CD shelf,or boot up my computer and download still more recorded music from iTunes.Devoted concertgoers who reply that recordings are no substitute for live performance are missing the point.For the time,attention,and money of the art-loving public,classical instrumentalists must compete not only with opera houses,dance troupes,theater companies,and museums,but also with the recorded performances of the great classical musicians of the 20th century.There recordings are cheap,available everywhere,and very often much higher in artistic quality than today’s live performances;moreover,they can be“consumed”at a time and place of the listener’s choosing.The widespread availability of such recordings has thus brought about a crisis in the institution of the traditional classical concert.One possible response is for classical performers to program attractive new music that is not yet available on record.Gilbert’s own interest in new music has been widely noted:Alex Ross,a classical-music critic,has described him as a man who is capable of turning the Philharmonic into“a markedly different,more vibrant organization.”But what will be the nature of that difference?Merely expanding the orchestra’s repertoire will not be enough.If Gilbert and the Philharmonic are to succeed,they must first change the relationship between America’s oldest orchestra and the new audience it hops to attract.23.The author believes that the devoted concertgoersA.ignore the expenses of live performances.B.reject most kinds of recorded performances.C.exaggerate the variety of live performances.D.overestimate the value of live performances.
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