Which of the following can be inferred from Paragraph 3 about Bauhaus?A．It was founded by Ludwig Mies van der Rohe.B．Its designing concept was affected by World War II.C．Most American architects used to be associated with it.D．It had a great influence upon American architectrue.
Which of the following can be inferred from Paragraph 3 about Bauhaus?
A．It was founded by Ludwig Mies van der Rohe.
B．Its designing concept was affected by World War II.
C．Most American architects used to be associated with it.
D．It had a great influence upon American architectrue.
相关考题：
It can be inferred from the last paragraph that before the Second World War,______.A．malaria had taken few lives in Sri LankaB．malaria had been a very serious problem in lowland regions in Sri LankaC．malaria had remained unrestrained in Sri LankaD．malaria had been already put under control in Sri Lanka
Which of the following statements is true?A. The author's father built a bonfire on VE Day.B. The author's father had fought in the First World War.C. The author's father had fought in the Second World War.D. The author's father threw two chairs on the fire to keep it going.
It can be inferred from the passage that by the end of World War Ⅱ , most Americans ______.A. were very richB. lived in povertyC. did not own automobilesD. had own automobiles
"The pen is more powerful than the sword (剑)." There have been many writers who used their pens to fight things that were wrong. Mrs. Harriet Beecher Stowe was one of them. She was born in the USA in 1811. One of her books not only made her famous but has been described as one that excited the world, and was helpful in causing a civil war and freezing the slaves. The civil war was the American Civil War of 1861, in which the Northern States fought the Southern States and finally won. This book was named "Uncle Toms Cabin". There was time when every English-speaking man, woman, and child has read this novel that did so much to stop slavery. Not many people read it today, but it is still very interesting. The book has shown us how a warm-hearted writer can arouse (唤起) peoples sympathies (同情). The writer herself had neither been to the Southern States nor been a slave. The Southern Americans were very angry at the novel, which they said did not at all represent (代表) true state of affairs,1、According to the passage ( ).A、every English-speaking person had read "Uncle Tom's Cabin"B、"Uncle Tom's Cabin" was not very interestingC、those who don''t speak English can not have read "Uncle Tom's Cabin"D、the book "Uncle Tom's Cabin" did a great deal in the American Civil War2、How old was Mrs. Stowe when her world famous book was published? ( )A、About 60 years old.B、Over 50 years old.C、In her forties.D、Around 30 years old.3、What do you learn about Mrs. Stowe from the passage? ( )A、She had been living in the north of America before the American Civil War.B、She herself encouraged the northern Americans to go to war and set the slaves free.C、She was better as writing as using a sword.D、She had once been a slave.4、Why could Mrs. Stowe's book cause a civil war in America? ( )A、She wrote so well that Americans loved her very much.B、She disclosed (揭露) the terrible wrongs that had been done to the slaves in the Southern States.C、The Southern Americans hated the book while the Northern Americans like it.D、The book had been read by many Americans.5、What can we learn from the passage? ( )A、We needn't use weapons (武器) to fight things that are wrong.B、 writer is more helpful in a war than a soldier.C、We must understand the importance of literature and art.D、No war can be won without such a book as "Uncle Tom's Cabin".
It can be inferred from the last paragraph that outside directors______.A．may stay for the attractive offers from the firmB．have often had records of wrongdoings in the firmC．are accustomed to stress-free work in the firmD．will decline incentives from the firm
Which of the following is true of the squirrel bridge?__________A.It was replaced by a longer oneB.It was built from wood and metalC.it was rebuilt after years of useD.It was designed by Bill Hutch
Text 3 We tend to think of the decades immediately following World War II as a time of prosperity and growth,with soldiers returning home by the millions,going off to college on the G.I.Bill and lining up at the marriage bureaus.But when it came to their houses,it was a time of common sense and a belief that less could truly be more.During the Depression and the war,Americans had learned to live with less,and that restraint,in combination with the postwar confidence in the future,made small,efficient housing positively stylish.Economic condition was only a stimulus for the trend toward efficient living.The phrase“less is more”was actually first popularized by a German,the architect Ludwig Mies van der Rohe,who like other people associated with the Bauhaus,a school of design,emigrated to the United States before World War II and took up posts at American architecture schools.These designers came to exert enormous influence on the course of American architecture,but none more so than Mies.Mies's signature phrase means that less decoration,properly organized,has more impact than a lot.Elegance,he believed,did not derive from abundance.Like other modern architects,he employed metal,glass and laminated woodmaterials that we take for granted today but that in the 1940s symbolized the future.Mies's sophisticated presentation masked the fact that the spaces he designed were small and efficient,rather than big and often empty.The apartments in the elegant towers Mies built on Chicago's Lake Shore Drive,for example,were smaller—twobedroom units under 1，000 square feet—than those in their older neighbors along the city's Gold Coast.But they were popular because of their airy glass walls,the views they afforded and the elegance of the buildings'details and proportions,the architectural equivalent of the abstract art so popular at the time.The trend toward“less”was not entirely foreign.In the 1930s Frank Lloyd Wright started building more modest and efficient houses—usually around 1，200 square feet—than the spreading twostory ones he had designed in the 1890s and the early 20th century.The“Case Study Houses”commissioned from talented modern architects by California Arts&Architecture magazine between 1945 and 1962 were yet another homegrown influence on the“less is more”trend.Aesthetic effect came from the landscape,new materials and forthright detailing.In his Case Study House,Ralph Rapson may have mispredicted just how the mechanical revolution would impact everyday life—few American families acquired helicopters,though most eventually got clothes dryers—but his belief that selfsufficiency was both desirable and inevitable was widely shared.Mies held that elegance of architectural design____A.was related to large spaceB.was identified with emptinessC.was not reliant on abundant decorationD.was not associated with efficiency
Text 3 We tend to think of the decades immediately following World War II as a time of prosperity and growth,with soldiers returning home by the millions,going off to college on the G.I.Bill and lining up at the marriage bureaus.But when it came to their houses,it was a time of common sense and a belief that less could truly be more.During the Depression and the war,Americans had learned to live with less,and that restraint,in combination with the postwar confidence in the future,made small,efficient housing positively stylish.Economic condition was only a stimulus for the trend toward efficient living.The phrase“less is more”was actually first popularized by a German,the architect Ludwig Mies van der Rohe,who like other people associated with the Bauhaus,a school of design,emigrated to the United States before World War II and took up posts at American architecture schools.These designers came to exert enormous influence on the course of American architecture,but none more so than Mies.Mies's signature phrase means that less decoration,properly organized,has more impact than a lot.Elegance,he believed,did not derive from abundance.Like other modern architects,he employed metal,glass and laminated woodmaterials that we take for granted today but that in the 1940s symbolized the future.Mies's sophisticated presentation masked the fact that the spaces he designed were small and efficient,rather than big and often empty.The apartments in the elegant towers Mies built on Chicago's Lake Shore Drive,for example,were smaller—twobedroom units under 1，000 square feet—than those in their older neighbors along the city's Gold Coast.But they were popular because of their airy glass walls,the views they afforded and the elegance of the buildings'details and proportions,the architectural equivalent of the abstract art so popular at the time.The trend toward“less”was not entirely foreign.In the 1930s Frank Lloyd Wright started building more modest and efficient houses—usually around 1，200 square feet—than the spreading twostory ones he had designed in the 1890s and the early 20th century.The“Case Study Houses”commissioned from talented modern architects by California Arts&Architecture magazine between 1945 and 1962 were yet another homegrown influence on the“less is more”trend.Aesthetic effect came from the landscape,new materials and forthright detailing.In his Case Study House,Ralph Rapson may have mispredicted just how the mechanical revolution would impact everyday life—few American families acquired helicopters,though most eventually got clothes dryers—but his belief that selfsufficiency was both desirable and inevitable was widely shared.The postwar American housing style largely reflected the Americans_____A.prosperity and growthB.efficiency and practicalityC.restraint and confidenceD.pride and faithfulness
Text 3 We tend to think of the decades immediately following World War II as a time of prosperity and growth,with soldiers returning home by the millions,going off to college on the G.I.Bill and lining up at the marriage bureaus.But when it came to their houses,it was a time of common sense and a belief that less could truly be more.During the Depression and the war,Americans had learned to live with less,and that restraint,in combination with the postwar confidence in the future,made small,efficient housing positively stylish.Economic condition was only a stimulus for the trend toward efficient living.The phrase“less is more”was actually first popularized by a German,the architect Ludwig Mies van der Rohe,who like other people associated with the Bauhaus,a school of design,emigrated to the United States before World War II and took up posts at American architecture schools.These designers came to exert enormous influence on the course of American architecture,but none more so than Mies.Mies's signature phrase means that less decoration,properly organized,has more impact than a lot.Elegance,he believed,did not derive from abundance.Like other modern architects,he employed metal,glass and laminated woodmaterials that we take for granted today but that in the 1940s symbolized the future.Mies's sophisticated presentation masked the fact that the spaces he designed were small and efficient,rather than big and often empty.The apartments in the elegant towers Mies built on Chicago's Lake Shore Drive,for example,were smaller—twobedroom units under 1，000 square feet—than those in their older neighbors along the city's Gold Coast.But they were popular because of their airy glass walls,the views they afforded and the elegance of the buildings'details and proportions,the architectural equivalent of the abstract art so popular at the time.The trend toward“less”was not entirely foreign.In the 1930s Frank Lloyd Wright started building more modest and efficient houses—usually around 1，200 square feet—than the spreading twostory ones he had designed in the 1890s and the early 20th century.The“Case Study Houses”commissioned from talented modern architects by California Arts&Architecture magazine between 1945 and 1962 were yet another homegrown influence on the“less is more”trend.Aesthetic effect came from the landscape,new materials and forthright detailing.In his Case Study House,Ralph Rapson may have mispredicted just how the mechanical revolution would impact everyday life—few American families acquired helicopters,though most eventually got clothes dryers—but his belief that selfsufficiency was both desirable and inevitable was widely shared.Which of the following can be inferred from Paragraph 3 about the Bauhaus?A.It was founded by Ludwig Mies van der Rohe.B.Its designing concept was affected by World War II.C.Most American architects used to be associated with it.D.It had a great influence upon American architecture.
Text 3 We tend to think of the decades immediately following World War II as a time of prosperity and growth,with soldiers returning home by the millions,going off to college on the G.I.Bill and lining up at the marriage bureaus.But when it came to their houses,it was a time of common sense and a belief that less could truly be more.During the Depression and the war,Americans had learned to live with less,and that restraint,in combination with the postwar confidence in the future,made small,efficient housing positively stylish.Economic condition was only a stimulus for the trend toward efficient living.The phrase“less is more”was actually first popularized by a German,the architect Ludwig Mies van der Rohe,who like other people associated with the Bauhaus,a school of design,emigrated to the United States before World War II and took up posts at American architecture schools.These designers came to exert enormous influence on the course of American architecture,but none more so than Mies.Mies's signature phrase means that less decoration,properly organized,has more impact than a lot.Elegance,he believed,did not derive from abundance.Like other modern architects,he employed metal,glass and laminated woodmaterials that we take for granted today but that in the 1940s symbolized the future.Mies's sophisticated presentation masked the fact that the spaces he designed were small and efficient,rather than big and often empty.The apartments in the elegant towers Mies built on Chicago's Lake Shore Drive,for example,were smaller—twobedroom units under 1，000 square feet—than those in their older neighbors along the city's Gold Coast.But they were popular because of their airy glass walls,the views they afforded and the elegance of the buildings'details and proportions,the architectural equivalent of the abstract art so popular at the time.The trend toward“less”was not entirely foreign.In the 1930s Frank Lloyd Wright started building more modest and efficient houses—usually around 1，200 square feet—than the spreading twostory ones he had designed in the 1890s and the early 20th century.The“Case Study Houses”commissioned from talented modern architects by California Arts&Architecture magazine between 1945 and 1962 were yet another homegrown influence on the“less is more”trend.Aesthetic effect came from the landscape,new materials and forthright detailing.In his Case Study House,Ralph Rapson may have mispredicted just how the mechanical revolution would impact everyday life—few American families acquired helicopters,though most eventually got clothes dryers—but his belief that selfsufficiency was both desirable and inevitable was widely shared.What can we learn about the design of the“Case Study House”?A.Mechanical devices were widely used.B.Natural scenes were taken into consideration.C.Details were sacrificed for the overall effect.D.Ecofriendly materials were employed.
Text 3 We tend to think of the decades immediately following World War II as a time of prosperity and growth,with soldiers returning home by the millions,going off to college on the G.I.Bill and lining up at the marriage bureaus.But when it came to their houses,it was a time of common sense and a belief that less could truly be more.During the Depression and the war,Americans had learned to live with less,and that restraint,in combination with the postwar confidence in the future,made small,efficient housing positively stylish.Economic condition was only a stimulus for the trend toward efficient living.The phrase“less is more”was actually first popularized by a German,the architect Ludwig Mies van der Rohe,who like other people associated with the Bauhaus,a school of design,emigrated to the United States before World War II and took up posts at American architecture schools.These designers came to exert enormous influence on the course of American architecture,but none more so than Mies.Mies's signature phrase means that less decoration,properly organized,has more impact than a lot.Elegance,he believed,did not derive from abundance.Like other modern architects,he employed metal,glass and laminated woodmaterials that we take for granted today but that in the 1940s symbolized the future.Mies's sophisticated presentation masked the fact that the spaces he designed were small and efficient,rather than big and often empty.The apartments in the elegant towers Mies built on Chicago's Lake Shore Drive,for example,were smaller—twobedroom units under 1，000 square feet—than those in their older neighbors along the city's Gold Coast.But they were popular because of their airy glass walls,the views they afforded and the elegance of the buildings'details and proportions,the architectural equivalent of the abstract art so popular at the time.The trend toward“less”was not entirely foreign.In the 1930s Frank Lloyd Wright started building more modest and efficient houses—usually around 1，200 square feet—than the spreading twostory ones he had designed in the 1890s and the early 20th century.The“Case Study Houses”commissioned from talented modern architects by California Arts&Architecture magazine between 1945 and 1962 were yet another homegrown influence on the“less is more”trend.Aesthetic effect came from the landscape,new materials and forthright detailing.In his Case Study House,Ralph Rapson may have mispredicted just how the mechanical revolution would impact everyday life—few American families acquired helicopters,though most eventually got clothes dryers—but his belief that selfsufficiency was both desirable and inevitable was widely shared.What is true about the apartments Mies building Chicago's Lake Shore Drive?A.They ignored details and proportions.B.They were built with materials popular at that time.C.They were more spacious than neighboring buildings.D.They shared some characteristics of abstract art.
共用题干The Beginning of American Literature America has always been a land of beginnings.After Europeans"discovered"America in the fifteenth century,the mysterious New World became for many people a genuine hope of a new life,an escape from poverty and persecution,a chance to start again.We can say that,as a nation,America begins with that hope.When,however,does American literature begin? American literature begins with American experiences.Long before the first colonists arrived,before Christopher Columbus,before the Northmen who"found"America about the year 1000,native Americans lived here.Each tribe's literature was tightly woven into the fabric of daily life and reflected the unmistakably American experience of linking with the land.Another kind of experience,one filled with fear and excitement,found its expression in the reports that Columbus and other explorers sent home in Spain, French and English.In addition,the journals of the people who lived and died in the New England wilder- ness tell unforgettable tales of hard and sometimes heartbreaking experiences of those early years. Experience,then, is the key to early American literature.The New World provided a great variety of experiences,and these experiences demanded a wide variety of expressions by an even wider variety of early American writers.These writers included John Smith,who spent only two-and-a-half year on the American continent.They included Jonathan Edwards and William Byrd,who thought of themselves as British subjects,never suspecting a revolution that would create a United States of America with a literature of its own.American Indians,explorers,Puritan ministers,frontier wives,plantation owners-they are all the creators of the first American literature.According to the last paragraph,which of the following statements is true about American literature?A:Some British writers started American literature.B:Early-day American literature is a reflection of the boring life then.C:Some British writers had'doubts about the future of American literature.D:Some British writers had great confidence in the future of American literature.
A.赖特(Frank Lloyd Wright)设计的落水别墅，密斯·凡·德·罗(Mies Van Der Rohe)设计的图根德哈特住宅B.赖特(Frank Lloyd Wright)设计的落水别墅，密斯·凡·德·罗(Mies Van Der Rohe)设计的巴塞罗那博览会德国馆C.勒·柯布西耶(Le Corbusier)设计的萨伏伊别墅，密斯·凡·德·罗(Mies Van Der Rohe)设计的巴塞罗那博览会德国馆D.勒·柯布西耶(Le Corbusier)设计的萨伏伊别墅，密斯·凡·德·罗(Mies Van Der Rohe)设计的图根德哈特住宅
Which of the following can be inferred from the passage？( ) A.The English don’t like the French. B.The book was most important because it was the first time that American values had been clearly documented. C.De Tocqueville was a slow writer. D.De Tocqueville was primarily motivated by an interest in his own country.
Paragraph 5 supports which of the following inferences about the commercial revolution between AD 1000 and 1300？( ) A.It had very little impact on social attitudes and values. B.It brought about major political changes throughout Europe. C.It lessened the influence of the church. D.It increased the population of small towns.
What can be inferred from paragraph 1 about theatrical dance in the late nineteenth century？( ) A.It influenced many artists outside of the field of dance. B.It was very similar to theatrical dance of the early nineteenth century. C.It was more a form of entertainment than a form of serious art. D.It was a relatively new art form in the United States.
It can be inferred from the passage that Brian Swann believes which of the following about the European settlers of America？( ) A.They probably were more literate，on the average，than the general European population they left behind. B.They probably thought it necessary to understand American Indian politics before studying American Indian literature. C.They probably did not recognize evidence of an oral poetic tradition in the American Indian cultures they encountered. D.They probably could not appreciate American Indian poetry because it was composed in long narrative cycles.
“我喜欢抓住一个想法，戏弄之，直至最后成为一个诗意的环境”这句话出自哪位建筑师？（）A、Ludwig Mies van der RoheB、Le CorbusierC、Walter Adolph Georg GropiusD、Frank Lloyd Wright
被称为“多米诺”的结构体系是何人提出的？（）A、Ludwig Mies van der RoheB、Le CorbusierC、Hugo Alvar Henik AaltoD、Frank Lloyd Wright
“建筑应该是自然的，要成为自然的一部分”这句话出自哪位建筑师？（）A、Ludwig Mies van der RoheB、Le CorbusierC、Walter Adolph Georg GropiusD、Frank Lloyd Wright
“当技术实现了它真正的使命，它就升华为艺术。”这句话出自哪位建筑师？（）A、Ludwig Mies van der RoheB、Le CorbusierC、WalterGropiusD、Frank Lloyd Wright
单选题As for Wal-Mart itself, it can be inferred that______.Athere are 5,200 stores all over the world.BWal-Mart has more than 7,000 trucks over the world.CWal-Mart has great influence on world market.DLee Scott is Wal-Mart’s CEO and decision-maker.
多选题For Question 1, consider each of the choices separately and select all that apply. Which of the following statements about Edison can be inferred from the passage?AEdison was one of the world’s most esteemed and influential inventors.BConcrete furniture was the only one of Edison’s inventions to ultimately fail.CThe light bulb and the phonograph were extremely successful inventions by Edison.
单选题It can be inferred from Paragraph 2 of the text that _____.Athe position of philosophy as a humble servant was acceptedBreligion had turned into a hamper to the functioning of philosophyCphilosophers often quoted revelation to support themselvesDphilosophers were sometimes referred to in religious practice
单选题What can be inferred about Alex from the last paragraph?AThe culture camps caused Alex to hate everything about India.BThe East India Colorado Heritage Camp led to Alex' s immigration.CHidden Valley served as a link between Alex' s old world and the new.DThe culture camps helped Alex better understand his mixed-race fami
单选题It can be inferred from the first paragraph that mankind _____.Ahas just begun to exploit the natural resources of the earthBbelieves that natural resources can be used in stagesChas discovered that there are unlimited sources of raw materialsDbelieves that the entire earth can be used as raw materials
单选题Which of the following can be concluded from the author’s statement “Any beneficial substances from the turtles could also be synthesized chemically, so as to prevent the killing of turtles” in Paragraph 3 ?AThe author feels sorry for killing turtles massively.BTurtles can be used to substitute many other medicines.CMany other kinds of herbs can be as useful as turtles.DInternational market feels happy for Chinese businessmen to buy.