单选题To face the music Like every language, American English is full of special expressions, phrases that come from the day-to-day life of the people and develop in their own way. Our expression today is "to face the music". When someone says, "well, I guess I’ll have to face the music," it does not mean he’s planning to go to the concert. It is something far less pleasant, like being called in by your boss to explain why you did this and did that, and why you didn’t do this or that. Sour music indeed, but it has to be faced. At sometime or another, every one of us has had to face the music, especially as children. We can all remember father’s angry voice, "I want to talk to you." and only because we did not obey him. What an unpleasant business it was! The phrase "to face the music" is familiar to every American, young and old. It is at least 100 years old. And where did this expression come from The first explanation comes from the American novelist, James Fenimore Looper. He said, in 1851, that the expression was first used by actors while waiting in the wings to go on the stage. When they got their cue to go on, they often said, "Well, it’s time to face the music." And that was exactly what they did-facing the orchestra which was just below them. And an actor might be frightened or nervous as he moved on to the stage in front of an audience that might be friendly or perhaps hostile, especially if he forgot his lines. But he had to go out. If he did not, there would be no play. So the expression "to face the music "come to mean "having to go through something, no matter how unpleasant the experience might be, because you knew you had no choice." Other explanations about the expression go back to the army. When the men faced an inspection by their leader, the soldiers would be worried about how well they looked. Was their equipment clean, shinny enough to pass the inspection Still the men had to go out and face the music of the band as well as the inspection. What else could they do Another army explanation is more closely related to the idea of facing the results and accepting the responsibility for something that should not have been done. As, for example when a man is forced out of the army because he did something terrible, he is dishonored. The band does not play. Only the drums tap a sad, slow beat. The soldier is forced to leave, facing such music as it is and facing the back of his horse.The underlined word "hostile" means ().AunfriendlyBdislikeCunkindDunnecessary

单选题
To face the music Like every language, American English is full of special expressions, phrases that come from the day-to-day life of the people and develop in their own way. Our expression today is "to face the music". When someone says, "well, I guess I’ll have to face the music," it does not mean he’s planning to go to the concert. It is something far less pleasant, like being called in by your boss to explain why you did this and did that, and why you didn’t do this or that. Sour music indeed, but it has to be faced. At sometime or another, every one of us has had to face the music, especially as children. We can all remember father’s angry voice, "I want to talk to you." and only because we did not obey him. What an unpleasant business it was! The phrase "to face the music" is familiar to every American, young and old. It is at least 100 years old. And where did this expression come from The first explanation comes from the American novelist, James Fenimore Looper. He said, in 1851, that the expression was first used by actors while waiting in the wings to go on the stage. When they got their cue to go on, they often said, "Well, it’s time to face the music." And that was exactly what they did-facing the orchestra which was just below them. And an actor might be frightened or nervous as he moved on to the stage in front of an audience that might be friendly or perhaps hostile, especially if he forgot his lines. But he had to go out. If he did not, there would be no play. So the expression "to face the music "come to mean "having to go through something, no matter how unpleasant the experience might be, because you knew you had no choice." Other explanations about the expression go back to the army. When the men faced an inspection by their leader, the soldiers would be worried about how well they looked. Was their equipment clean, shinny enough to pass the inspection Still the men had to go out and face the music of the band as well as the inspection. What else could they do Another army explanation is more closely related to the idea of facing the results and accepting the responsibility for something that should not have been done. As, for example when a man is forced out of the army because he did something terrible, he is dishonored. The band does not play. Only the drums tap a sad, slow beat. The soldier is forced to leave, facing such music as it is and facing the back of his horse.The underlined word "hostile" means ().
A

unfriendly

B

dislike

C

unkind

D

unnecessary


参考解析

解析: [解析] 词义猜测题。根据单词所在的语境:friendly or perhaps hostile, especially if he forgot his lines说明hostile与friendly意义相反,从而可推知此题答案为A。

相关考题:

AGood morning. The program today is about music. The word “music” comes from the Greek word “muse”. The Muses are the goddesses of the arts. Music is only one of the arts. It is like the spoken language,but is uses sounds. Today's program brings together music from different corners of the world. Who invented music? Who sang the first song? No one knows exactly the answers to these questions. But we know that music plays an important part in almost everyone's life. Babies and young children love to hear people singing to them. When they are a little older, they like to sing the songs they have heard. When children go to school,their world of music grows. In the middle grades students take music lessons. When they reach high school,they become interested in listening to pop music.The records we have chosen for you today are form. American country music,Indian music,pop music and so on. Music has meaning for everyone. It can make people happy or it can make them sad. In this program we shall study the language of music. We shall be trying to find out more about how music works. We shall try to find out how music says what people feel.Now,here comes the music today,I shall explain why they are all good music…66.The first paragraph is mainly about the _______________A.styles of music B.history of musicC.taste of music D.knowledge of music

We work closely()every large airline like Air China, Air France and American Airlines. A、inB、toC、with

You need to have the experience of directing different activities to __________.A. be an editor of the music magazine B. head a bank branch of Town BankC. teach English in Language Centre D. work as a nurse in Child Care Centre

Text 4American no longer expect public figures, whether in speech or in writing, to command the English language with skill and gift. Nor do they aspire to such command themselves. In his latest book, Doing Our Own Thing: The Degradation of Language and Music and Why We Should, Like, Care, John McWhorter, a linguist and controversialist of mixed liberal and conservative views, sees the triumph of 1960s counter-culture as responsible for the decline of formal English.Blaming the permissive 1960s is nothing new, but this is not yet another criticism against the decline in education. Mr. McWhorter’s academic speciality is language history and change, and he sees the gradual disappearance of “whom,” for example, to be natural and no more regrettable than the loss of the case-endings of Old English.But the cult of the authentic and the personal, “doing our own thing,” has spelt the death of formal speech, writing, poetry and music. While even the modestly educated sought an elevated tone when they put pen to paper before the 1960s, even the most well regarded writing since then has sought to capture spoken English on the page. Equally, in poetry, the highly personal, performative genre is the only form. that could claim real liveliness. In both oral and written English, talking is triumphing over speaking, spontaneity over craft.Illustrated with an entertaining array of examples from both high and low culture, the trend that Mr. McWhorter documents is unmistakable. But it is less clear, to take the question of his subtitle, why we should, like, care. As a linguist, he acknowledges that all varieties of human language, including non-standard ones like Black English, can be powerfully expressive -- there exists no language or dialect in the world that cannot convey complex ideas. He is not arguing, as many do, that we can no longer think straight because we do not talk proper.Russians have a deep love for their own language and carry large chunks of memorized poetry in their heads, while Italian politicians tend to elaborate speech that would seem old-fashioned to most English-speakers. Mr. McWhorter acknowledges that formal language is not strictly necessary, and proposes no radical education reforms -- he is really grieving over the loss of something beautiful more than useful. We now take our English “on paper plates instead of china.” A shame, perhaps, but probably an inevitable one.36. According to McWhorter, the decline of formal English ________.[A] is inevitable in radical education reforms[B] is but all too natural in language development[C] has caused the controversy over the counter-culture[D] brought about changes in public attitudes in the 1960s

Which is not the characteristic of a successful teacher? __________. A.use English most of time in every classB.focus just on “finishing” the syllabus or textbookC.have a practical command of English, not just knowledge of grammar rulesD.find time for ready communicative activities, not just practice of language forms

设计任务:请阅读下面学生信息和语言素材.设计一个25分钟的阅读训练活动。  教案没有固定格式.但须包含下列要点:  teaching objectives  teaching contents  key and difficult points  major steps and time allocation  activities and justifications  教学时间:25分钟  学生概况:某城镇普通中学高中一年级学生,班级人数40人。多数学生已经达到《普通高中英语课程标准(实验)》五级水平。学生课堂参与积极性一般。  语言素材:  The Road to Modern English  At the end of the 16th century, above five to seven million people spoke English. Nearly all of them lived in England. Later in the next century, people from England made voyages to conquer other parts of the world and because of that, English began to be spoken in many other countries.  Today, more people speak English as their first, second or a foreign language than ever before.  Native English speakers can understand each other even if they don't speak the same kind of English. Look at this example:  British Betty: Would you like to see my flat  American Amy: Yes, I'd like to come up to your apartment.  So why has English changed over time Actually all languages change and develop when cultures meet and communicate with each other. At first, the English language spoken in England between about AD 450 and 1150 was very different from the English spoken today. It was based more on German than the English we speak at present. Then gradually between about AD 800 and1150, English became less like German because those who ruled England spoke first Danish and later French. These new settlers enriched the English language and especially its vocabulary. So by the 1600s Shakespeare was able to make use of a wider vocabulary than ever before. In 1620 some British settlers moved to America. Later in the 18th century some British people were taken to Australia too. English began to speak in both countries.  Finally by the 19th century the language was settled. At that time two big changes in English spelling happened: first Samuel Johnson wrote his dictionary and later Noah Webster wrote The American Dictionary of English language. The latter gave a separate identity to American English spelling.  English now is also 'spoken as a foreign or second language in South Asia. For example, India has a very large number of fluent English speakers because Britain ruled India from 1765 to 1947.  During that time English became the language for government and education. English is also spoken in Singapore and Malaysia and countries in Africa such as South Africa. Today the number of people learning English in China is increasing rapidly. In fact, China may have the largest number of English learners. Will Chinese English develop its own identity Only time will tell.

That a Japanese child adopted at birth by an American couple will grow up speaking English indicates _ of human language. A. duality B. cultural transmission C. arbitrariness D. cognitive creativity

设计任务:请阅读下面学生信息和语言素材.设计一个25分钟的阅读训练活动。教案没有固定格式.但须包含下列要点:teaching objectivesteaching contentskey and difficult pointsmajor steps and time allocationactivities and justifications教学时间:25分钟学生概况:某城镇普通中学高中一年级学生,班级人数40人。多数学生已经达到《普通高中英语课程标准(实验)》五级水平。学生课堂参与积极性一般。语言素材:The Road to Modern EnglishAt the end of the 16th century, above five to seven million people spoke English. Nearly all of them lived in England. Later in the next century, people from England made voyages to conquer other parts of the world and because of that, English began to be spoken in many other countries.Today, more people speak English as their first, second or a foreign language than ever before.Native English speakers can understand each other even if they don't speak the same kind of English. Look at this example:British Betty: Would you like to see my flat?American Amy: Yes, I'd like to come up to your apartment.So why has English changed over time? Actually all languages change and develop when cultures meet and communicate with each other. At first, the English language spoken in England between about AD 450 and 1150 was very different from the English spoken today. It was based more on German than the English we speak at present. Then gradually between about AD 800 and1150, English became less like German because those who ruled England spoke first Danish and later French. These new settlers enriched the English language and especially its vocabulary. So by the 1600s Shakespeare was able to make use of a wider vocabulary than ever before. In 1620 some British settlers moved to America. Later in the 18th century some British people were taken to Australia too. English began to speak in both countries.Finally by the 19th century the language was settled. At that time two big changes in English spelling happened: first Samuel Johnson wrote his dictionary and later Noah Webster wrote The American Dictionary of English language. The latter gave a separate identity to American English spelling.English now is also 'spoken as a foreign or second language in South Asia. For example, India has a very large number of fluent English speakers because Britain ruled India from 1765 to 1947.During that time English became the language for government and education. English is also spoken in Singapore and Malaysia and countries in Africa such as South Africa. Today the number of people learning English in China is increasing rapidly. In fact, China may have the largest number of English learners. Will Chinese English develop its own identity? Only time will tell.

Like every language,American English is full of special expressions,phrases that come from the day-to-day life of the people and develop in their own way.Our expression today is“to face the music”.When someone says,“well,I guess I’ll have to face the music,”it does not mean he’s planning to go to the concert.It is something far less pleasant,like being called in by your boss to explain why you did this and did that,and why you didn’t do this or that.Sour music indeed,but it has to be faced At sometime or another,every one of us has had to face the music,especially as children.We can all remember father’s angry voice,“I want to talk to you.”and only because we did not obey him.What an unpleasant business it was!The phrase“to face the music”is familiar to every American,young and old,It is at least 100 years old.And where did this expression come from?The first explanation comes from the American novelist,James Fenimore Looper.He said,in 1851,that the expression was first used by actors while waiting in the wings to go on the stage.When they got their cue to go on,they often said,“Well,it’s time to face the music.”And that was exactly what they did—facing the orchestra which was just below them.And an actor might be frightened or nervous as he moved on to the stage in front of an audience that might be friendly or perhaps?hostile,especially if he forgot his lines.But he had to go out.If he did not,there would be no play.So the expression“to face the music”come to mean“having to go through something,no matter how unpleasant the experience might be,because you knew you had no choice.”Other explanations about the expression go back to the army.When the men faced an inspection by their leader,the soldiers would be worried about how well they looked.Was their equipment clean,shinny enough to pass the inspection?Still the men had to go out and face the music of the band as well as the inspection.What else could they do?Another army explanation is more closely related to the idea of facing the results and accepting the responsibility for something that should not have been done.As,for example when a man is forced out of the army because he did something terrible,he is dishonored.The band does not play.Only the drums tap a sad,slow beat.The soldier is forced to leave,facing such music as it is and facing the back of his horse.Which of the following is a situation of facing the music?A.When we are playing basketbalB.When we are making a speecC.When we are having a partD.When we are talking with somebod

Like every language,American English is full of special expressions,phrases that come from the day-to-day life of the people and develop in their own way.Our expression today is“to face the music”.When someone says,“well,I guess I’ll have to face the music,”it does not mean he’s planning to go to the concert.It is something far less pleasant,like being called in by your boss to explain why you did this and did that,and why you didn’t do this or that.Sour music indeed,but it has to be faced At sometime or another,every one of us has had to face the music,especially as children.We can all remember father’s angry voice,“I want to talk to you.”and only because we did not obey him.What an unpleasant business it was!The phrase“to face the music”is familiar to every American,young and old,It is at least 100 years old.And where did this expression come from?The first explanation comes from the American novelist,James Fenimore Looper.He said,in 1851,that the expression was first used by actors while waiting in the wings to go on the stage.When they got their cue to go on,they often said,“Well,it’s time to face the music.”And that was exactly what they did—facing the orchestra which was just below them.And an actor might be frightened or nervous as he moved on to the stage in front of an audience that might be friendly or perhaps?hostile,especially if he forgot his lines.But he had to go out.If he did not,there would be no play.So the expression“to face the music”come to mean“having to go through something,no matter how unpleasant the experience might be,because you knew you had no choice.”Other explanations about the expression go back to the army.When the men faced an inspection by their leader,the soldiers would be worried about how well they looked.Was their equipment clean,shinny enough to pass the inspection?Still the men had to go out and face the music of the band as well as the inspection.What else could they do?Another army explanation is more closely related to the idea of facing the results and accepting the responsibility for something that should not have been done.As,for example when a man is forced out of the army because he did something terrible,he is dishonored.The band does not play.Only the drums tap a sad,slow beat.The soldier is forced to leave,facing such music as it is and facing the back of his horse.What’s the meaning of“to face the music?”A.To face something far less pleasanB.To face the stagC.To face the back of one’s horsD.To face one’s leade

Like every language,American English is full of special expressions,phrases that come from the day-to-day life of the people and develop in their own way.Our expression today is“to face the music”.When someone says,“well,I guess I’ll have to face the music,”it does not mean he’s planning to go to the concert.It is something far less pleasant,like being called in by your boss to explain why you did this and did that,and why you didn’t do this or that.Sour music indeed,but it has to be faced At sometime or another,every one of us has had to face the music,especially as children.We can all remember father’s angry voice,“I want to talk to you.”and only because we did not obey him.What an unpleasant business it was!The phrase“to face the music”is familiar to every American,young and old,It is at least 100 years old.And where did this expression come from?The first explanation comes from the American novelist,James Fenimore Looper.He said,in 1851,that the expression was first used by actors while waiting in the wings to go on the stage.When they got their cue to go on,they often said,“Well,it’s time to face the music.”And that was exactly what they did—facing the orchestra which was just below them.And an actor might be frightened or nervous as he moved on to the stage in front of an audience that might be friendly or perhaps?hostile,especially if he forgot his lines.But he had to go out.If he did not,there would be no play.So the expression“to face the music”come to mean“having to go through something,no matter how unpleasant the experience might be,because you knew you had no choice.”Other explanations about the expression go back to the army.When the men faced an inspection by their leader,the soldiers would be worried about how well they looked.Was their equipment clean,shinny enough to pass the inspection?Still the men had to go out and face the music of the band as well as the inspection.What else could they do?Another army explanation is more closely related to the idea of facing the results and accepting the responsibility for something that should not have been done.As,for example when a man is forced out of the army because he did something terrible,he is dishonored.The band does not play.Only the drums tap a sad,slow beat.The soldier is forced to leave,facing such music as it is and facing the back of his horse.The underlined word“hostile”means_______.A.unfriendlyB.dislikeC.unkindD.unnecessary

共用题干Few men have influenced the development of American English to the extent that Noah Webster did.After a short career in law,he turned to teaching,but he discovered how inadequate the available schoolbooks were for the children of a new and independent nation.In response to the need for truly American textbooks,Webster published A Grammatical Institute of the English Language,a three-volume work that consisted of a speller,a grammar,and a reader.The first volume,which was generally known as The American Spelling Book,was so popular that eventually it sold more than 80 million copies and provided him with a considerable income for the rest of his life.Can you imagine that?Anyway,in 1807,Noah Webster began his greatest work,An American Dictionary of the English Language.In preparing the manuscript,he devoted ten years to the study of English and its relationship to other languages,and seven more years to the writing itself. Published in two volumes in 1828,An American Dictionary of the English Language has become the recognized authority for usage in the United States.Webster's purpose in writing it was to demonstrate that the American language was developing distinct meanings,pronunciations,and spellings from those of British English. He is responsible for advancing many of the simplified spelling forms that distinguish American English from British.Webster was the first author to gain copyright protection in the United States by being awarded a copyright for The American Spelling Book and he continued to lobby over the next fifty years for the protection of intellectual properties,that is,for author's rights.By the time that Webster brought out the second edition of his dictionary,which included 70,000 entries instead of the original 38,000, the name Webster had become synonymous with American dictionaries.It was this second edition that served as the basis for the many revisions that have been produced by others, ironically,under the uncopyrighted Webster name.Webster remains active in promoting copyright protection throughout his life.A:Right B:Wrong C:Not mentioned

共用题干Few men have influenced the development of American English to the extent that Noah Webster did.After a short career in law,he turned to teaching,but he discovered how inadequate the available schoolbooks were for the children of a new and independent nation.In response to the need for truly American textbooks,Webster published A Grammatical Institute of the English Language,a three-volume work that consisted of a speller,a grammar,and a reader.The first volume,which was generally known as The American Spelling Book,was so popular that eventually it sold more than 80 million copies and provided him with a considerable income for the rest of his life.Can you imagine that?Anyway,in 1807,Noah Webster began his greatest work,An American Dictionary of the English Language.In preparing the manuscript,he devoted ten years to the study of English and its relationship to other languages,and seven more years to the writing itself. Published in two volumes in 1828,An American Dictionary of the English Language has become the recognized authority for usage in the United States.Webster's purpose in writing it was to demonstrate that the American language was developing distinct meanings,pronunciations,and spellings from those of British English. He is responsible for advancing many of the simplified spelling forms that distinguish American English from British.Webster was the first author to gain copyright protection in the United States by being awarded a copyright for The American Spelling Book and he continued to lobby over the next fifty years for the protection of intellectual properties,that is,for author's rights.By the time that Webster brought out the second edition of his dictionary,which included 70,000 entries instead of the original 38,000, the name Webster had become synonymous with American dictionaries.It was this second edition that served as the basis for the many revisions that have been produced by others, ironically,under the uncopyrighted Webster name.A Grammatical Institute of the English Language was published in order to satisfy the need for truly American textbooks.A:Right B:Wrong C:Not mentioned

共用题干Few men have influenced the development of American English to the extent that Noah Webster did.After a short career in law,he turned to teaching,but he discovered how inadequate the available schoolbooks were for the children of a new and independent nation.In response to the need for truly American textbooks,Webster published A Grammatical Institute of the English Language,a three-volume work that consisted of a speller,a grammar,and a reader.The first volume,which was generally known as The American Spelling Book,was so popular that eventually it sold more than 80 million copies and provided him with a considerable income for the rest of his life.Can you imagine that?Anyway,in 1807,Noah Webster began his greatest work,An American Dictionary of the English Language.In preparing the manuscript,he devoted ten years to the study of English and its relationship to other languages,and seven more years to the writing itself. Published in two volumes in 1828,An American Dictionary of the English Language has become the recognized authority for usage in the United States.Webster's purpose in writing it was to demonstrate that the American language was developing distinct meanings,pronunciations,and spellings from those of British English. He is responsible for advancing many of the simplified spelling forms that distinguish American English from British.Webster was the first author to gain copyright protection in the United States by being awarded a copyright for The American Spelling Book and he continued to lobby over the next fifty years for the protection of intellectual properties,that is,for author's rights.By the time that Webster brought out the second edition of his dictionary,which included 70,000 entries instead of the original 38,000, the name Webster had become synonymous with American dictionaries.It was this second edition that served as the basis for the many revisions that have been produced by others, ironically,under the uncopyrighted Webster name.Webster's purpose in writing An American Dictionary of the English Language is to prove that American English was superior to British English.A:Right B:Wrong C:Not mentioned

共用题干Few men have influenced the development of American English to the extent that Noah Webster did.After a short career in law,he turned to teaching,but he discovered how inadequate the available schoolbooks were for the children of a new and independent nation.In response to the need for truly American textbooks,Webster published A Grammatical Institute of the English Language,a three-volume work that consisted of a speller,a grammar,and a reader.The first volume,which was generally known as The American Spelling Book,was so popular that eventually it sold more than 80 million copies and provided him with a considerable income for the rest of his life.Can you imagine that?Anyway,in 1807,Noah Webster began his greatest work,An American Dictionary of the English Language.In preparing the manuscript,he devoted ten years to the study of English and its relationship to other languages,and seven more years to the writing itself. Published in two volumes in 1828,An American Dictionary of the English Language has become the recognized authority for usage in the United States.Webster's purpose in writing it was to demonstrate that the American language was developing distinct meanings,pronunciations,and spellings from those of British English. He is responsible for advancing many of the simplified spelling forms that distinguish American English from British.Webster was the first author to gain copyright protection in the United States by being awarded a copyright for The American Spelling Book and he continued to lobby over the next fifty years for the protection of intellectual properties,that is,for author's rights.By the time that Webster brought out the second edition of his dictionary,which included 70,000 entries instead of the original 38,000, the name Webster had become synonymous with American dictionaries.It was this second edition that served as the basis for the many revisions that have been produced by others, ironically,under the uncopyrighted Webster name.The name of Webster is associated with American dictionaries for a lot of Americans.A:Right B:Wrong C:Not mentioned

( )is a typical tone language. A.French B.Chinese C.American English D.English

What does the author mean by saying“writing today is like Latin on the eve of the Renaissance-the language of a scholarly establishment” ?( ) A.Videos are like Italian that served as the street language B.A video is worth more than a thousand words C.Writing would face extinction,just as Latin D.Writing would be less popular among ordinary people

问答题Practice 5  Never has there been a language quite like English. A bold statement, yet nevertheless true. Consider a few statistics. Today, one out of every seven people in the world use English in some way. More than half the world’s books are written in English; the majority of international telephone calls are made in English; 60% of the world’s radio programs are broadcast in English. English is even the working language of international air travel. For the first time in history, a single language has become dominant across a wide range of human activity, ranging from music, film and fine arts to the fields of business, diplomacy, science and technology.

单选题The present growing interest in, sign language was stimulated by _____.Aa leading specialist in the study of liberal artsBan English teacher in a university for the deafCsome senior experts in American sign languageDa famous scholar in the human brain

单选题Passage 2Americans no longer expect public figures, whether in speech orin writing, to command the English language with skill and gift. Nor do theyaspire to such command themselves. In his latest book, Doing Our Own Thing: TheDegradation of Language and Music and Why We Should ,Like, Care, JohnMcWhorter, a linguist and controversialist of mixed liberal and conservativeviews ,sees the triumph of 1960s counter-culture as responsible for the declineof formal English.Blaming the permissive 1960s is nothing new, but this is not yetanother criticism against the decline in education. Mr. McWhorter’s academicspeciality is language history and change, and he sees the gradualdisappearance of “whom”, for example, to be natural and no more regrettablethan the loss of the case-endings of Old English.But the cult of the authentic and the personal ,“doing our ownthing”, has spelt the death of formal speech, writing, poetry and music. Whileeven the modestly educated sought an elevated tone when they put pen to paperbefore the 1960s, even the most well regarded writing since then has sought tocapture spoken English on the page. Equally, in poetry, the highly personal,performative genre is the only form that could claim real liveliness. In bothoral and written English, talking is triumphing over speaking, spontaneity overcraft.Illustrated with an entertaining array of examples from both highand low culture, the trend that Mr. McWhorter documents is unmistakable. But itis less clear, to take the question of his subtitle ,why we should, like, care.As a linguist, he acknowledges that all varieties of human language, includingnon-standard ones like Black English, can be powerfully expressive-there existsno language or dialect in the world that cannot convey complex ideas. He is notarguing, as many do, that we can no longer think straight because we do nottalk proper. Russians have a deep lovefor their own language and carry large chunks of memorized poetry in theirheads, while Italian politicians tend to elaborate speech that would seem old-fashionedto most English-speakers. Mr. McWhorteracknowledges that formal language is not strictly necessary, and proposes noradical education reforms-he is really grieving over the loss of somethingbeautiful more than useful. We now takeour English "on paper platesinstead of china". A shame, perhaps, but probably an inevitable one.To which of the following statements would McWhorter most likely agree?ALogical thinking is not necessarily related to the way we talk.BBlack English can be more expressive than standard English.CNon-standard varieties of human language are just as entertaining.DOf all the varieties, standard English can best convey complex ideas.

单选题I’d like to start by _____ myself to countries where English is the main language.AcontrollingBcontainingCrestrainingDrestricting

单选题Passage 2Americans no longer expect public figures, whether in speech orin writing, to command the English language with skill and gift. Nor do theyaspire to such command themselves. In his latest book, Doing Our Own Thing: TheDegradation of Language and Music and Why We Should ,Like, Care, JohnMcWhorter, a linguist and controversialist of mixed liberal and conservativeviews ,sees the triumph of 1960s counter-culture as responsible for the declineof formal English.Blaming the permissive 1960s is nothing new, but this is not yetanother criticism against the decline in education. Mr. McWhorter’s academicspeciality is language history and change, and he sees the gradualdisappearance of “whom”, for example, to be natural and no more regrettablethan the loss of the case-endings of Old English.But the cult of the authentic and the personal ,“doing our ownthing”, has spelt the death of formal speech, writing, poetry and music. Whileeven the modestly educated sought an elevated tone when they put pen to paperbefore the 1960s, even the most well regarded writing since then has sought tocapture spoken English on the page. Equally, in poetry, the highly personal,performative genre is the only form that could claim real liveliness. In bothoral and written English, talking is triumphing over speaking, spontaneity overcraft.Illustrated with an entertaining array of examples from both highand low culture, the trend that Mr. McWhorter documents is unmistakable. But itis less clear, to take the question of his subtitle ,why we should, like, care.As a linguist, he acknowledges that all varieties of human language, includingnon-standard ones like Black English, can be powerfully expressive-there existsno language or dialect in the world that cannot convey complex ideas. He is notarguing, as many do, that we can no longer think straight because we do nottalk proper. Russians have a deep lovefor their own language and carry large chunks of memorized poetry in theirheads, while Italian politicians tend to elaborate speech that would seem old-fashionedto most English-speakers. Mr. McWhorteracknowledges that formal language is not strictly necessary, and proposes noradical education reforms-he is really grieving over the loss of somethingbeautiful more than useful. We now takeour English "on paper platesinstead of china". A shame, perhaps, but probably an inevitable one.The word "talking" (Para. 3) denotes _________.AmodestyBpersonalityClivelinessDinformality

问答题One of America’s most important export is her modern music.         (1) _______American popular music is playing all over the world. It is enjoyed      (2) _______by people of all ages in all countries. Because the lyrics are English,    (3) _______nevertheless people not speaking English enjoy it. The reasons forits popularity are its fast pace and rhythmic beat.  The music has many origins in the United States. Country music,coming from the suburban areas in the southern United States, is one      (4) _______source. Country music features simple themes and melodies describingday-to-day situations and the feelings of country people. Many peopleappreciate this music because the emotions expressed by country         (5) _______music songs.  A second origin of American popular music is the blues. It depicted    (6) _______mostly sad feelings reflecting the difficult lives of American blacks. Itis usually played and sung by black musicians, but it is not popular with    (7) _______all Americans.  Rock music is a newer form of music. This music style, featuringfast and repetitious rhythms, was influenced by the blues and countrymusic. It is first known as rock-and-roll in the 1950s. Since then there    (8) _______have been many forms of rock music, hard rock, soft rock, punk rock,disco music and others. Many performers of popular rock music areyoung musicians.  American popular music is marketed to a demanding audience.Now popular songs are heard on the radio several times a day. Somesongs become popular all over the world. People hear these songs sing     (9) _______in their original English or sometimes translated into other languages.The words may coincide but the enjoyment of the music is universal.      (10) _______

单选题To face the music Like every language, American English is full of special expressions, phrases that come from the day-to-day life of the people and develop in their own way. Our expression today is "to face the music". When someone says, "well, I guess I’ll have to face the music," it does not mean he’s planning to go to the concert. It is something far less pleasant, like being called in by your boss to explain why you did this and did that, and why you didn’t do this or that. Sour music indeed, but it has to be faced. At sometime or another, every one of us has had to face the music, especially as children. We can all remember father’s angry voice, "I want to talk to you." and only because we did not obey him. What an unpleasant business it was! The phrase "to face the music" is familiar to every American, young and old. It is at least 100 years old. And where did this expression come from The first explanation comes from the American novelist, James Fenimore Looper. He said, in 1851, that the expression was first used by actors while waiting in the wings to go on the stage. When they got their cue to go on, they often said, "Well, it’s time to face the music." And that was exactly what they did-facing the orchestra which was just below them. And an actor might be frightened or nervous as he moved on to the stage in front of an audience that might be friendly or perhaps hostile, especially if he forgot his lines. But he had to go out. If he did not, there would be no play. So the expression "to face the music "come to mean "having to go through something, no matter how unpleasant the experience might be, because you knew you had no choice." Other explanations about the expression go back to the army. When the men faced an inspection by their leader, the soldiers would be worried about how well they looked. Was their equipment clean, shinny enough to pass the inspection Still the men had to go out and face the music of the band as well as the inspection. What else could they do Another army explanation is more closely related to the idea of facing the results and accepting the responsibility for something that should not have been done. As, for example when a man is forced out of the army because he did something terrible, he is dishonored. The band does not play. Only the drums tap a sad, slow beat. The soldier is forced to leave, facing such music as it is and facing the back of his horse.Which of the following is a situation of facing the musicAWhen we are playing basketball.BWhen we are making a speech.CWhen we are having a party.DWhen we are talking with somebody.

单选题To face the music Like every language, American English is full of special expressions, phrases that come from the day-to-day life of the people and develop in their own way. Our expression today is "to face the music". When someone says, "well, I guess I’ll have to face the music," it does not mean he’s planning to go to the concert. It is something far less pleasant, like being called in by your boss to explain why you did this and did that, and why you didn’t do this or that. Sour music indeed, but it has to be faced. At sometime or another, every one of us has had to face the music, especially as children. We can all remember father’s angry voice, "I want to talk to you." and only because we did not obey him. What an unpleasant business it was! The phrase "to face the music" is familiar to every American, young and old. It is at least 100 years old. And where did this expression come from The first explanation comes from the American novelist, James Fenimore Looper. He said, in 1851, that the expression was first used by actors while waiting in the wings to go on the stage. When they got their cue to go on, they often said, "Well, it’s time to face the music." And that was exactly what they did-facing the orchestra which was just below them. And an actor might be frightened or nervous as he moved on to the stage in front of an audience that might be friendly or perhaps hostile, especially if he forgot his lines. But he had to go out. If he did not, there would be no play. So the expression "to face the music "come to mean "having to go through something, no matter how unpleasant the experience might be, because you knew you had no choice." Other explanations about the expression go back to the army. When the men faced an inspection by their leader, the soldiers would be worried about how well they looked. Was their equipment clean, shinny enough to pass the inspection Still the men had to go out and face the music of the band as well as the inspection. What else could they do Another army explanation is more closely related to the idea of facing the results and accepting the responsibility for something that should not have been done. As, for example when a man is forced out of the army because he did something terrible, he is dishonored. The band does not play. Only the drums tap a sad, slow beat. The soldier is forced to leave, facing such music as it is and facing the back of his horse.What’s the meaning of "to face the music"ATo face something far less pleasant.BTo face the stage.CTo face the back of one’s horse.DTo face one’s leader.

单选题To face the music Like every language, American English is full of special expressions, phrases that come from the day-to-day life of the people and develop in their own way. Our expression today is "to face the music". When someone says, "well, I guess I’ll have to face the music," it does not mean he’s planning to go to the concert. It is something far less pleasant, like being called in by your boss to explain why you did this and did that, and why you didn’t do this or that. Sour music indeed, but it has to be faced. At sometime or another, every one of us has had to face the music, especially as children. We can all remember father’s angry voice, "I want to talk to you." and only because we did not obey him. What an unpleasant business it was! The phrase "to face the music" is familiar to every American, young and old. It is at least 100 years old. And where did this expression come from The first explanation comes from the American novelist, James Fenimore Looper. He said, in 1851, that the expression was first used by actors while waiting in the wings to go on the stage. When they got their cue to go on, they often said, "Well, it’s time to face the music." And that was exactly what they did-facing the orchestra which was just below them. And an actor might be frightened or nervous as he moved on to the stage in front of an audience that might be friendly or perhaps hostile, especially if he forgot his lines. But he had to go out. If he did not, there would be no play. So the expression "to face the music "come to mean "having to go through something, no matter how unpleasant the experience might be, because you knew you had no choice." Other explanations about the expression go back to the army. When the men faced an inspection by their leader, the soldiers would be worried about how well they looked. Was their equipment clean, shinny enough to pass the inspection Still the men had to go out and face the music of the band as well as the inspection. What else could they do Another army explanation is more closely related to the idea of facing the results and accepting the responsibility for something that should not have been done. As, for example when a man is forced out of the army because he did something terrible, he is dishonored. The band does not play. Only the drums tap a sad, slow beat. The soldier is forced to leave, facing such music as it is and facing the back of his horse.How many ways does the phrase "to face the music" comes fromA1B2C3D4

单选题Passage 2Americans no longer expect public figures, whether in speech orin writing, to command the English language with skill and gift. Nor do theyaspire to such command themselves. In his latest book, Doing Our Own Thing: TheDegradation of Language and Music and Why We Should ,Like, Care, JohnMcWhorter, a linguist and controversialist of mixed liberal and conservativeviews ,sees the triumph of 1960s counter-culture as responsible for the declineof formal English.Blaming the permissive 1960s is nothing new, but this is not yetanother criticism against the decline in education. Mr. McWhorter’s academicspeciality is language history and change, and he sees the gradualdisappearance of “whom”, for example, to be natural and no more regrettablethan the loss of the case-endings of Old English.But the cult of the authentic and the personal ,“doing our ownthing”, has spelt the death of formal speech, writing, poetry and music. Whileeven the modestly educated sought an elevated tone when they put pen to paperbefore the 1960s, even the most well regarded writing since then has sought tocapture spoken English on the page. Equally, in poetry, the highly personal,performative genre is the only form that could claim real liveliness. In bothoral and written English, talking is triumphing over speaking, spontaneity overcraft.Illustrated with an entertaining array of examples from both highand low culture, the trend that Mr. McWhorter documents is unmistakable. But itis less clear, to take the question of his subtitle ,why we should, like, care.As a linguist, he acknowledges that all varieties of human language, includingnon-standard ones like Black English, can be powerfully expressive-there existsno language or dialect in the world that cannot convey complex ideas. He is notarguing, as many do, that we can no longer think straight because we do nottalk proper. Russians have a deep lovefor their own language and carry large chunks of memorized poetry in theirheads, while Italian politicians tend to elaborate speech that would seem old-fashionedto most English-speakers. Mr. McWhorteracknowledges that formal language is not strictly necessary, and proposes noradical education reforms-he is really grieving over the loss of somethingbeautiful more than useful. We now takeour English on paper platesinstead of china. A shame, perhaps, but probably an inevitable one.According to McWhorter, the decline of formal English_______.Ais inevitable in radical education reformsBis but all too natural in language developmentChas caused the controversy over the counter-cultureDbrought about changes in public attitudes in the 1960s