Text 1 In the 2006 film version of The Devil Wears Prada,Miranda Priestly,played by Meryl Streep,scold her unattractive assistant for imagining that high fashion doesn’t affect her.Priestly explains how the deep blue color of the assistant’s sweater descended over the years from fashion shows to department stores and to the bargain bin in which the poor girl doubtless found her garment.This top-down conception of the fashion business couldn’t be more out of date or at odds with feverish world described in Overdressed,Elizabeth Cline’s three-year indictment of“fast fashion”.In the last decades or so,advances in technology have allowed mass-market labels such as Zara,Hher example,can’t be knocked off.Though several fast-fashion companies have made efforts to curb their impact on labor and the environment——including Hpeople will only start shopping more sustainably when they can’t afford to it.25.What is the subject of the text?A.Satire on an extravagant lifestyle.B.Challenge to a high-fashion myth.C.Criticism of the fast-fashion industry.D.Exposure of a mass-market secret.
Text 1 In the 2006 film version of The Devil Wears Prada,Miranda Priestly,played by Meryl Streep,scold her unattractive assistant for imagining that high fashion doesn’t affect her.Priestly explains how the deep blue color of the assistant’s sweater descended over the years from fashion shows to department stores and to the bargain bin in which the poor girl doubtless found her garment.This top-down conception of the fashion business couldn’t be more out of date or at odds with feverish world described in Overdressed,Elizabeth Cline’s three-year indictment of“fast fashion”.In the last decades or so,advances in technology have allowed mass-market labels such as Zara,H&M,and Uniqlo to react to trends more quickly and anticipate demand more precisely.Quckier turnrounds mean less wasted inventory,more frequent releases,and more profit.Those labels encourage style-conscious consumers to see clothes as disposal——meant to last only a wash or two,although they don’t advertise that——and to renew their wardrobe every few weeks.By offering on-trend items at dirt-cheap prices,Cline argues,these brands have hijacked fashion cycles,shaking all industry long accustomed to a seasonal pace.The victims of this revolution,of course,are not limited to designers.For H&M to offer a 5.95 knit miniskirt in all its 2300-plus stores around the world,it must rely on low-wage,overseas labor,order in volumes that strain natural resources,and use massive amount of harmful chemicals.Overdressed is the fashion world’s answer to consumer activist bestsellers like Michael Pollan’s The Omnivore’s Dilemma.Mass-produced clothing,like fast food,fills a hunger and need,yet is non-durable,and wasteful,”Cline argues,Americans,she finds,buy roughly 20 billion garments a year——about 64 items per person——and no matter how much they give away,this excess leads to waste.Towards the end of Overdressed,Cline introduced her ideal,a Brooklyn woman named SKB,who,since 2008 has make all of her own clothes——and beautifully.But as Cline is the first to note,it took Beaumont decades to perfect her craft;her example,can’t be knocked off.Though several fast-fashion companies have made efforts to curb their impact on labor and the environment——including H&M,with its green Conscious Collection Line——Cline believes lasting-change can only be effected by the customer.She exhibits the idealism common to many advocates of sustainability,be it in food or in energy.Vanity is a constant;people will only start shopping more sustainably when they can’t afford to it.25.What is the subject of the text?
A.Satire on an extravagant lifestyle.
B.Challenge to a high-fashion myth.
C.Criticism of the fast-fashion industry.
D.Exposure of a mass-market secret.
B.Challenge to a high-fashion myth.
C.Criticism of the fast-fashion industry.
D.Exposure of a mass-market secret.
参考解析
解析：主旨大意此题考查对全文主旨大意的准确归纳。从整个文章脉络来看，文章的第一段用事例引入，第二段讲到文章的主题“快时尚”，并指出它破坏了时尚周期，动摇了时尚产业。第三四段指出“快时尚”这种变革的弊端，比如：给自然资源造成压力、使用大量有害的化学物质、浪费现象。最后两段提到针对“快时尚”的不良影响，可以采取的解决办法。由此可知，C项统领全文，为正确答案。A,B,D项都不是文章所论述的中心主题。
相关考题：
Betty is from Italy. Now she lives in Edinburgh . But her parents still live in Italy. She is 25 years old. She is a teacher. She works in a high school in Edinburgh. She teaches science (科学) and she likes her work. Most of her students are 15 or 16 years old. They all like her. They think she is a great teacher and a beautiful girl with long golden hair. Betty has a boyfriend. His name is Ray. He is British. He is 30 years old. He likes books and music. He can play the piano very well. He is in IT. He works very hard. But he does not like his job. He likes traveling like Betty, and of course he likes staying with Betty.(1). Betty is British now.A、 Right.B、Wrong.C、Doesn't say.(2). Betty has long beautiful hair.A、 Right.B、Wrong.C、Doesn't say.(3). Ray likes his job.A、 Right.B、Wrong.C、Doesn't say.(4). Both Betty and Ray like traveling.A、 Right.B、Wrong.C、Doesn't say.(5). Betty can play the piano well.A、 Right.B、Wrong.C、Doesn't say.
"if you have seen a hit movie played by jackie chan, i dare say you can’t __________ attracted by the wonderful chinese martial arts exhibited in the film." A. helped beingB.helped to beC. helped to beD. help
BWhen Mary Moore began her high school in 1951, her mother told her, "Be sure and take a typing course so when this show business thing doesn't work out, you'll have something to rely on." Mary responded in typical teenage fashion. From that moment on, "the very last thing I ever thought about doing was taking a typing course," she recalls.The show business thing worked out, of course. In her career, Mary won many awards. Only recently, when she began to write Growing Up Again, did she regret ignoring her morn," I don't know how to use a computer," she admits.Unlike her 1995 autobiography, After All, her second book is less about life as anaward-winning actress and more about living with diabetes (糖尿病). All the money from the book is intended for the Juvenile Diabetes Research Foundation (JDRF), an organization she serves as international chairman. "I felt there was a need for a book like this," she says."I didn't want to lecture, but I wanted other diabetics to know that things get better when we're self-controlled and do our part in managing the disease."But she hasn't always practiced what she teaches. In her book, she describes that awful day, almost 40 years ago, when she received two pieces of life-changing news. First, she had lost the baby she was carrying, and second, tests showed that she had diabetes. In a childlike act, she left the hospital and treated herself to a box of doughnuts (甜甜圈). Years would pass before she realized she had to grow up--again---and take control of her diabetes, not let it control her. Only then did she kick her three-pack-a-day cigarette habit, overcome her addiction to alcohol, and begin to follow a balanced diet.Although her disease has affected her eyesight and forced her to the sidelines of the dance floor, she refuses to fall into self-pity. "Everybody on earth can ask, 'why me?' about something or other," she insists. "It doesn't do any good. No one is immune (免疫的) to heartache, pain, and disappointments. Sometimes we can make things better by helping others. I've come to realize the importance of that as I've grown up this second time. I want to speak out and be as helpful as I can be."61. Why did Mary feel regretful?A. She didn't achieve her ambition.B. She didn't take care of her mother.C. She didn't complete her high school.D. She didn't follow her mother's advice.
I would have invited her to the party but I ___ her well.A、don’t knowB、didn’t knowC、doesn’t knowD、hadn’t known
She wore a dress for that occasion in the prettiest fashion ().A、imaginableB、imaginativeC、imaginaryD、imagining
4． Tom doesn’t like the film_________，but his parents like _________ ．A．himself; itB．itself; themselvesC．itself ; itD．himself ; themselves
Text 1 In the 2006 film version of The Devil Wears Prada,Miranda Priestly,played by Meryl Streep,scold her unattractive assistant for imagining that high fashion doesn’t affect her.Priestly explains how the deep blue color of the assistant’s sweater descended over the years from fashion shows to department stores and to the bargain bin in which the poor girl doubtless found her garment.This top-down conception of the fashion business couldn’t be more out of date or at odds with feverish world described in Overdressed,Elizabeth Cline’s three-year indictment of“fast fashion”.In the last decades or so,advances in technology have allowed mass-market labels such as Zara,Hher example,can’t be knocked off.Though several fast-fashion companies have made efforts to curb their impact on labor and the environment——including Hpeople will only start shopping more sustainably when they can’t afford to it.24.Which of the following can be inferred from the lase paragraph?A.Vanity has more often been found in idealists.B.The fast-fashion industry ignores sustainability.C.People are more interested in unaffordable garments.D.Pricing is vital to environment-friendly purchasing.
Text 1 In the 2006 film version of The Devil Wears Prada,Miranda Priestly,played by Meryl Streep,scold her unattractive assistant for imagining that high fashion doesn’t affect her.Priestly explains how the deep blue color of the assistant’s sweater descended over the years from fashion shows to department stores and to the bargain bin in which the poor girl doubtless found her garment.This top-down conception of the fashion business couldn’t be more out of date or at odds with feverish world described in Overdressed,Elizabeth Cline’s three-year indictment of“fast fashion”.In the last decades or so,advances in technology have allowed mass-market labels such as Zara,Hher example,can’t be knocked off.Though several fast-fashion companies have made efforts to curb their impact on labor and the environment——including Hpeople will only start shopping more sustainably when they can’t afford to it.21.Priestly criticizes her assistant for herA.poor bargaining skill.B.insensitivity to fashion.C.obsession with high fashion.D.lack of imagination.
Text 1 In the 2006 film version of The Devil Wears Prada,Miranda Priestly,played by Meryl Streep,scold her unattractive assistant for imagining that high fashion doesn’t affect her.Priestly explains how the deep blue color of the assistant’s sweater descended over the years from fashion shows to department stores and to the bargain bin in which the poor girl doubtless found her garment.This top-down conception of the fashion business couldn’t be more out of date or at odds with feverish world described in Overdressed,Elizabeth Cline’s three-year indictment of“fast fashion”.In the last decades or so,advances in technology have allowed mass-market labels such as Zara,Hher example,can’t be knocked off.Though several fast-fashion companies have made efforts to curb their impact on labor and the environment——including Hpeople will only start shopping more sustainably when they can’t afford to it.23.The word“indictment”（Line 3,Para.2）is closest in meaning toA.accusation.B.enthusiasm.C.indifference.D.tolerance.
单选题请阅读Passage 1，完成第21~25小题。Passage 1In the 2006 film version of The Devil Wears Prada , Miranda Priestly, played by Meryl Streep, scolds her unattractive assistant for imagining that high fashion doesn't affect her, Priestly explains how the deep blue color of the assistant's sweater descended over the years from fashion shows to departments stores and to the bargain bin in which the poor girl doubtless found her garment.This top-down conception of the fashion business couldn't be more out of date or at odds with the feverish world described in Overdressed, Elizabeth Cline's three-year indictment of fast fashion. In the last decade or so, advances in technology have allowed mass-market labels such as Zara, HM, and Uniqlo to react to trends more quickly and anticipate demand more precisely. Quicker turnarounds mean less wasted inventory, more frequent release, and more profit. Theselabels encourage style-conscious consumers to see clothes as disposable-meant to last only a wash or two, although they don't advertise that-and to renew their wardrobe every few weeks. By offering on-trend items at dirt-cheap prices, Cline argues, these brands have hijacked fashion cycles, shaking an industry long accustomed to a seasonal pace.The victims of this revolution, of course, are not limited to designers. For HM to offer a $5.95 knit miniskirt in all its 2,300-pius stores around the world, it must rely on low-wage overseas labor, order in volumes that strain natural resources, and use massive amounts of harmful chemicals.Overdressed is the fashion world's answer to consumer-activist bestsellers like Michael Pollan's The Omnivore's Dilemma. Mass-produced clothing, like fast food, fills a hunger and need, yet is nondurable and wasteful, Cline argues. Americans, she finds, buy roughly 20 billion garments a year-about 64 items per person-and no matter how much they give away, this excess leads to waste. Towards the end of Overdressed, Cline introduced her ideal, a Brooklyn woman named Sarah Kate Beaumont, who since 2008 has made all of her own clothes-and beautifully. But as Cline is the first to note, it took Beaumont decades to perfect her craft; her example can't be knocked off.Though several fast-fashion companies have made efforts to curb their impact on labor and the environment-includmg HM, with its green Conscious Collection line-Cline believes lasting change can only be effected by the customer. She exhibits the idealism common to many advocates of sustainability, be it in food or in energy. Vanity is a constant; people will only start shopping more sustainably when they can't afford not to.What is the subject of the text?ASatire on an extravagant lifestyle.BChallenge to a high-fashion myth.CCriticism of the fast-fashion industry.DExposure of a mass-market secret.
单选题请阅读Passage 1，完成第21~25小题。Passage 1In the 2006 film version of The Devil Wears Prada , Miranda Priestly, played by Meryl Streep, scolds her unattractive assistant for imagining that high fashion doesn't affect her, Priestly explains how the deep blue color of the assistant's sweater descended over the years from fashion shows to departments stores and to the bargain bin in which the poor girl doubtless found her garment.This top-down conception of the fashion business couldn't be more out of date or at odds with the feverish world described in Overdressed, Elizabeth Cline's three-year indictment of fast fashion. In the last decade or so, advances in technology have allowed mass-market labels such as Zara, HM, and Uniqlo to react to trends more quickly and anticipate demand more precisely. Quicker turnarounds mean less wasted inventory, more frequent release, and more profit. Theselabels encourage style-conscious consumers to see clothes as disposable-meant to last only a wash or two, although they don't advertise that-and to renew their wardrobe every few weeks. By offering on-trend items at dirt-cheap prices, Cline argues, these brands have hijacked fashion cycles, shaking an industry long accustomed to a seasonal pace.The victims of this revolution, of course, are not limited to designers. For HM to offer a $5.95 knit miniskirt in all its 2,300-pius stores around the world, it must rely on low-wage overseas labor, order in volumes that strain natural resources, and use massive amounts of harmful chemicals.Overdressed is the fashion world's answer to consumer-activist bestsellers like Michael Pollan's The Omnivore's Dilemma. Mass-produced clothing, like fast food, fills a hunger and need, yet is nondurable and wasteful, Cline argues. Americans, she finds, buy roughly 20 billion garments a year-about 64 items per person-and no matter how much they give away, this excess leads to waste. Towards the end of Overdressed, Cline introduced her ideal, a Brooklyn woman named Sarah Kate Beaumont, who since 2008 has made all of her own clothes-and beautifully. But as Cline is the first to note, it took Beaumont decades to perfect her craft; her example can't be knocked off.Though several fast-fashion companies have made efforts to curb their impact on labor and the environment-includmg HM, with its green Conscious Collection line-Cline believes lasting change can only be effected by the customer. She exhibits the idealism common to many advocates of sustainability, be it in food or in energy. Vanity is a constant; people will only start shopping more sustainably when they can't afford not to.The word indictment ( Para. 2) is closest in meaning to ____.AaccusationBenthusiasmCindifferenceDtolerance
单选题在表单form1中有三个文本框text1、text2、text3（它们的value初值均为"无"）和一个命令按钮command1，命令按钮的click事件代码如下：thisform.text3.value=thisform.text1.value-thisform.text2.value表单运行后，在text1、text2中分别输入{^2006/11/6}和4，然后单击command1，则text3显示（）。A{^2006/11/6}4B2006/11/2C2006/11/64D{^2006/11/2}
单选题Passage1In the 2006 film version of The Devil Wears Prada, Miranda Priestly, played by Meryl Streep, scolds her unattractive assistant for imagining that high fashion doesn't affect her, Priestly explains how the deep blue color of the assistant's sweater descended over the years from fashion shows to departments stores and to the bargain bin in which the poor girl doubtless found her garment.This top-down conception of the fashion business couldn't be more out of date or at odds with the feverish world described in Overdressed, Elizabeth Cline's three-year indictment of fast fashion. In the last decade or so, advances in technology have allowed mass-market labels such as Zara,HM, and Uniqlo to react to trends more quickly and anticipate demand more precisely. Quicker turnarounds mean less wasted inventory, more frequent release, and more profit. These labels encourage style-conscious consumers to see clothes as disposable-meant to last only a wash or two, although they don't advertise that-and to renew their wardrobe every few weeks. By offering on-trend items at dirt-cheap prices, Cline argues, these brands have hijacked fashion cycles, shaking an industry long accustomed to a seasonal pace.The victims of this revolution, of course, are not limited to designers. For HM to offer a $5.95 knit miniskirt in all its 2,300-pius stores around the world, it must rely on low-wage overseas labor, order in volumes that strain natural resources, and use massive amounts of harmful chemicals.Overdressed is the fashion world's answer to consumer-activist bestsellers like Michael Pollan's The Omnivore's Dilemma.Mass-produced clothing, like fast food, fills a hunger and need, yet is non-durable and wasteful,Cline argues. Americans, she finds, buy roughly 20 billion garments a year-about 64 items per person-and no matter how much they give away, this excess leads to waste.Towards the end of Overdressed, Cline introduced her ideal,a Brooklyn woman named Sarah Kate Beaumont, who since 2008 has made all of her own clothes-and beautifully. But as Cline is the first to note, it took Beaumont decades to perfect her craft; her example can't be knocked off.Though several fast-fashion companies have made efforts to curb their impact on labor and the environment-including HM, with its green Conscious Collection line-Cline believes lasting change can only be effected by the customer. She exhibits the idealism common to many advocates of sustainability, be it in food or in energy. Vanity is a constant; people will only start shopping more sustainably when they can't afford not to.What is the subject of the text？ASatire on an extravagant lifestyle.BChallenge to a high-fashion myth.CCriticism of the fast-fashion industry.DExposure of a mass-market secret.
单选题请阅读Passage 1，完成第21~25小题。Passage 1In the 2006 film version of The Devil Wears Prada , Miranda Priestly, played by Meryl Streep, scolds her unattractive assistant for imagining that high fashion doesn't affect her, Priestly explains how the deep blue color of the assistant's sweater descended over the years from fashion shows to departments stores and to the bargain bin in which the poor girl doubtless found her garment.This top-down conception of the fashion business couldn't be more out of date or at odds with the feverish world described in Overdressed, Elizabeth Cline's three-year indictment of fast fashion. In the last decade or so, advances in technology have allowed mass-market labels such as Zara, HM, and Uniqlo to react to trends more quickly and anticipate demand more precisely. Quicker turnarounds mean less wasted inventory, more frequent release, and more profit. Theselabels encourage style-conscious consumers to see clothes as disposable-meant to last only a wash or two, although they don't advertise that-and to renew their wardrobe every few weeks. By offering on-trend items at dirt-cheap prices, Cline argues, these brands have hijacked fashion cycles, shaking an industry long accustomed to a seasonal pace.The victims of this revolution, of course, are not limited to designers. For HM to offer a $5.95 knit miniskirt in all its 2,300-pius stores around the world, it must rely on low-wage overseas labor, order in volumes that strain natural resources, and use massive amounts of harmful chemicals.Overdressed is the fashion world's answer to consumer-activist bestsellers like Michael Pollan's The Omnivore's Dilemma. Mass-produced clothing, like fast food, fills a hunger and need, yet is nondurable and wasteful, Cline argues. Americans, she finds, buy roughly 20 billion garments a year-about 64 items per person-and no matter how much they give away, this excess leads to waste. Towards the end of Overdressed, Cline introduced her ideal, a Brooklyn woman named Sarah Kate Beaumont, who since 2008 has made all of her own clothes-and beautifully. But as Cline is the first to note, it took Beaumont decades to perfect her craft; her example can't be knocked off.Though several fast-fashion companies have made efforts to curb their impact on labor and the environment-includmg HM, with its green Conscious Collection line-Cline believes lasting change can only be effected by the customer. She exhibits the idealism common to many advocates of sustainability, be it in food or in energy. Vanity is a constant; people will only start shopping more sustainably when they can't afford not to.Which of the following can be inferred from the last paragraph?AVanity has more often been found in idealists.BThe fast-fashion industry ignores sustainability.CPeople are more interested in unaffordable garments.DPricing is vital to environment-friendly purchasing.
单选题Being ______ about food, she doesn't eat any chicken and pork, so fish is her favorite.AcasualBparticularCindifferentDcrazy
单选题请阅读Passage 1，完成第21~25小题。Passage 1In the 2006 film version of The Devil Wears Prada , Miranda Priestly, played by Meryl Streep, scolds her unattractive assistant for imagining that high fashion doesn't affect her, Priestly explains how the deep blue color of the assistant's sweater descended over the years from fashion shows to departments stores and to the bargain bin in which the poor girl doubtless found her garment.This top-down conception of the fashion business couldn't be more out of date or at odds with the feverish world described in Overdressed, Elizabeth Cline's three-year indictment of fast fashion. In the last decade or so, advances in technology have allowed mass-market labels such as Zara, HM, and Uniqlo to react to trends more quickly and anticipate demand more precisely. Quicker turnarounds mean less wasted inventory, more frequent release, and more profit. Theselabels encourage style-conscious consumers to see clothes as disposable-meant to last only a wash or two, although they don't advertise that-and to renew their wardrobe every few weeks. By offering on-trend items at dirt-cheap prices, Cline argues, these brands have hijacked fashion cycles, shaking an industry long accustomed to a seasonal pace.The victims of this revolution, of course, are not limited to designers. For HM to offer a $5.95 knit miniskirt in all its 2,300-pius stores around the world, it must rely on low-wage overseas labor, order in volumes that strain natural resources, and use massive amounts of harmful chemicals.Overdressed is the fashion world's answer to consumer-activist bestsellers like Michael Pollan's The Omnivore's Dilemma. Mass-produced clothing, like fast food, fills a hunger and need, yet is nondurable and wasteful, Cline argues. Americans, she finds, buy roughly 20 billion garments a year-about 64 items per person-and no matter how much they give away, this excess leads to waste. Towards the end of Overdressed, Cline introduced her ideal, a Brooklyn woman named Sarah Kate Beaumont, who since 2008 has made all of her own clothes-and beautifully. But as Cline is the first to note, it took Beaumont decades to perfect her craft; her example can't be knocked off.Though several fast-fashion companies have made efforts to curb their impact on labor and the environment-includmg HM, with its green Conscious Collection line-Cline believes lasting change can only be effected by the customer. She exhibits the idealism common to many advocates of sustainability, be it in food or in energy. Vanity is a constant; people will only start shopping more sustainably when they can't afford not to.Priestly criticizes her assistant for her ____.Apoor bargaining skillBinsensitivity to fashionCobsession with high fashionDlack ofimagination
单选题______ with the size of the whole earth, the highest mountain doesn't seem high at all.AWhen comparedBCompareCWhile comparingDComparing
单选题AShe doesn’t have time to move.BShe would have difficulty finding another apartment.CShe has paid her rent for the summer in advance.DShe doesn’t want to paint another apartment.
单选题Passage1In the 2006 film version of The Devil Wears Prada, Miranda Priestly, played by Meryl Streep, scolds her unattractive assistant for imagining that high fashion doesn't affect her, Priestly explains how the deep blue color of the assistant's sweater descended over the years from fashion shows to departments stores and to the bargain bin in which the poor girl doubtless found her garment.This top-down conception of the fashion business couldn't be more out of date or at odds with the feverish world described in Overdressed, Elizabeth Cline's three-year indictment of fast fashion. In the last decade or so, advances in technology have allowed mass-market labels such as Zara,HM, and Uniqlo to react to trends more quickly and anticipate demand more precisely. Quicker turnarounds mean less wasted inventory, more frequent release, and more profit. These labels encourage style-conscious consumers to see clothes as disposable-meant to last only a wash or two, although they don't advertise that-and to renew their wardrobe every few weeks. By offering on-trend items at dirt-cheap prices, Cline argues, these brands have hijacked fashion cycles, shaking an industry long accustomed to a seasonal pace.The victims of this revolution, of course, are not limited to designers. For HM to offer a $5.95 knit miniskirt in all its 2,300-pius stores around the world, it must rely on low-wage overseas labor, order in volumes that strain natural resources, and use massive amounts of harmful chemicals.Overdressed is the fashion world's answer to consumer-activist bestsellers like Michael Pollan's The Omnivore's Dilemma.Mass-produced clothing, like fast food, fills a hunger and need, yet is non-durable and wasteful,Cline argues. Americans, she finds, buy roughly 20 billion garments a year-about 64 items per person-and no matter how much they give away, this excess leads to waste.Towards the end of Overdressed, Cline introduced her ideal,a Brooklyn woman named Sarah Kate Beaumont, who since 2008 has made all of her own clothes-and beautifully. But as Cline is the first to note, it took Beaumont decades to perfect her craft; her example can't be knocked off.Though several fast-fashion companies have made efforts to curb their impact on labor and the environment-including HM, with its green Conscious Collection line-Cline believes lasting change can only be effected by the customer. She exhibits the idealism common to many advocates of sustainability, be it in food or in energy. Vanity is a constant; people will only start shopping more sustainably when they can't afford not to.Priestly criticizes her assistant for her________.Apoor bargaining skillBinsensitivity to fashionCobsession with high fashionDlack of imagination
单选题What is mainly discussed in the text?AThe uniqueness of film.BThe importance of film analysis.CHow to identify the techniques a film uses.DThe relationship between film analysis and literary analysis.
单选题Passage1In the 2006 film version of The Devil Wears Prada, Miranda Priestly, played by Meryl Streep, scolds her unattractive assistant for imagining that high fashion doesn't affect her, Priestly explains how the deep blue color of the assistant's sweater descended over the years from fashion shows to departments stores and to the bargain bin in which the poor girl doubtless found her garment.This top-down conception of the fashion business couldn't be more out of date or at odds with the feverish world described in Overdressed, Elizabeth Cline's three-year indictment of fast fashion. In the last decade or so, advances in technology have allowed mass-market labels such as Zara,HM, and Uniqlo to react to trends more quickly and anticipate demand more precisely. Quicker turnarounds mean less wasted inventory, more frequent release, and more profit. These labels encourage style-conscious consumers to see clothes as disposable-meant to last only a wash or two, although they don't advertise that-and to renew their wardrobe every few weeks. By offering on-trend items at dirt-cheap prices, Cline argues, these brands have hijacked fashion cycles, shaking an industry long accustomed to a seasonal pace.The victims of this revolution, of course, are not limited to designers. For HM to offer a $5.95 knit miniskirt in all its 2,300-pius stores around the world, it must rely on low-wage overseas labor, order in volumes that strain natural resources, and use massive amounts of harmful chemicals.Overdressed is the fashion world's answer to consumer-activist bestsellers like Michael Pollan's The Omnivore's Dilemma.Mass-produced clothing, like fast food, fills a hunger and need, yet is non-durable and wasteful,Cline argues. Americans, she finds, buy roughly 20 billion garments a year-about 64 items per person-and no matter how much they give away, this excess leads to waste.Towards the end of Overdressed, Cline introduced her ideal,a Brooklyn woman named Sarah Kate Beaumont, who since 2008 has made all of her own clothes-and beautifully. But as Cline is the first to note, it took Beaumont decades to perfect her craft; her example can't be knocked off.Though several fast-fashion companies have made efforts to curb their impact on labor and the environment-including HM, with its green Conscious Collection line-Cline believes lasting change can only be effected by the customer. She exhibits the idealism common to many advocates of sustainability, be it in food or in energy. Vanity is a constant; people will only start shopping more sustainably when they can't afford not to.Which of the following can be inferred from the last paragraph?AVanity has more often been found in idealists.BThe fast-fashion industry ignores sustainability.CPeople are more interested in unaffordable garments.DPricing is vital to environment-friendly purchasing.
单选题Passage1In the 2006 film version of The Devil Wears Prada, Miranda Priestly, played by Meryl Streep, scolds her unattractive assistant for imagining that high fashion doesn't affect her, Priestly explains how the deep blue color of the assistant's sweater descended over the years from fashion shows to departments stores and to the bargain bin in which the poor girl doubtless found her garment.This top-down conception of the fashion business couldn't be more out of date or at odds with the feverish world described in Overdressed, Elizabeth Cline's three-year indictment of fast fashion. In the last decade or so, advances in technology have allowed mass-market labels such as Zara,HM, and Uniqlo to react to trends more quickly and anticipate demand more precisely. Quicker turnarounds mean less wasted inventory, more frequent release, and more profit. These labels encourage style-conscious consumers to see clothes as disposable-meant to last only a wash or two, although they don't advertise that-and to renew their wardrobe every few weeks. By offering on-trend items at dirt-cheap prices, Cline argues, these brands have hijacked fashion cycles, shaking an industry long accustomed to a seasonal pace.The victims of this revolution, of course, are not limited to designers. For HM to offer a $5.95 knit miniskirt in all its 2,300-pius stores around the world, it must rely on low-wage overseas labor, order in volumes that strain natural resources, and use massive amounts of harmful chemicals.Overdressed is the fashion world's answer to consumer-activist bestsellers like Michael Pollan's The Omnivore's Dilemma.Mass-produced clothing, like fast food, fills a hunger and need, yet is non-durable and wasteful,Cline argues. Americans, she finds, buy roughly 20 billion garments a year-about 64 items per person-and no matter how much they give away, this excess leads to waste.Towards the end of Overdressed, Cline introduced her ideal,a Brooklyn woman named Sarah Kate Beaumont, who since 2008 has made all of her own clothes-and beautifully. But as Cline is the first to note, it took Beaumont decades to perfect her craft; her example can't be knocked off.Though several fast-fashion companies have made efforts to curb their impact on labor and the environment-including HM, with its green Conscious Collection line-Cline believes lasting change can only be effected by the customer. She exhibits the idealism common to many advocates of sustainability, be it in food or in energy. Vanity is a constant; people will only start shopping more sustainably when they can't afford not to.The wordindictment(Para.2) is closest in meaning to_______.AaccusationBenthusiasmCindifferenceDtolerance