设S="My Music"，则LenStr（s）=（）
设S="My Music"，则LenStr（s）=（）
相关考题：
Richard: Your English is very good. I appreciate your help.Alexandra: Thanks. _________.A． It's a piece of cakeB． It's my pleasureC． It's my dutyD． It's my way
There are two character strings：s and t.s="My favor is computer"，t=substr(s，9，5)．Then the result after operation isA．S="My favor is computer"； t="compu"；B．S="My favor is computer"； t="is co"；C．S="My favor"； t="is co"；D．S="My favor"； t="is computer"；
设R，S是集合A上的二元关系，则下面命题是真命题的是A．若R，S是自反的，则R?S是自反的B．若R，S是反自反的，则R?S是反自反的C．若R，S是对称的，则R?S是对称的D．若R，S是传递的，则R?S是传递的
Jim and Ronald are ( ). A、my father's and mother’s friendsB、friends of mine father and motherC、my father and mother's friendsD、my father and mother friends
Beautiful music, isn’t it?() A. Who’s the composer?B. Yes. It’s my favorite.C. So glad to hear that.D. It’s a gift from my father.
I saw him at ( ), not at ().A.my uncle...the BlacksB.my uncle's...the BlacksC.my uncle's...the Blacks'D.my uncle...the Blacks'
Maybe it’s asking too much of you to follow the idea of “love me love my dog”, but at least you should tolerate my love for jazz. A、love my dog as much as loving meB、love everything about me because you love meC、tolerate my love for jazz music like your tolerating my dogD、love jazz music the same as you love my dog
Tom is going to see___. A.one of my father's friendsB.one of my father's friendC.one of my fathers' friendsD.a friend of my father
设系统的特征方程为D(s)=s3＋14s2＋40s＋40τ=0,则此系统稳定的τ值范围为()。A、τ>0B、0 设系统的特征方程为D(s)=s3+14s2+40s+40τ=0，则此系统稳定的τ值范围为()。A、τ>0B、0C、τ>14D、τ
设关系R和S的元数分别是r和s,则集合{t|t=∧tr ∈R∧ts∈S}标记的是A.R∪SB.R－SC.R∩SD.R×S 设关系R和S的元数分别是r和s，则集合{t|t=＜tr，ts＞∧tr ∈R∧ts∈S}标记的是A．R∪SB．R-SC．R∩SD．R×S
Text 1 The decision of the New York Philharmonic to hire Alan Gilbert as its next music director has been the talk of the classical-music world ever since the sudden announcement of his appointment in 2009.For the most part,the response has been favorable,to say the least.“Hooray!At last!”wrote Anthony Tommasini,a sober-sided classical-music critic.One of the reasons why the appointment came as such a surprise,however,is that Gilbert is comparatively little known.Even Tommasini,who had advocated Gilbert’s appointment in the Times,calls him“an unpretentious musician with no air of the formidable conductor about him.”As a description of the next music director of an orchestra that has hitherto been led by musicians like Gustav Mahler and Pierre Boulez,that seems likely to have struck at least some Times readers as faint praise.For my part,I have no idea whether Gilbert is a great conductor or even a good one.To be sure,he performs an impressive variety of interesting compositions,but it is not necessary for me to visit Avery Fisher Hall,or anywhere else,to hear interesting orchestral music.All I have to do is to go to my CD shelf,or boot up my computer and download still more recorded music from iTunes.Devoted concertgoers who reply that recordings are no substitute for live performance are missing the point.For the time,attention,and money of the art-loving public,classical instrumentalists must compete not only with opera houses,dance troupes,theater companies,and museums,but also with the recorded performances of the great classical musicians of the 20th century.There recordings are cheap,available everywhere,and very often much higher in artistic quality than today’s live performances;moreover,they can be“consumed”at a time and place of the listener’s choosing.The widespread availability of such recordings has thus brought about a crisis in the institution of the traditional classical concert.One possible response is for classical performers to program attractive new music that is not yet available on record.Gilbert’s own interest in new music has been widely noted:Alex Ross,a classical-music critic,has described him as a man who is capable of turning the Philharmonic into“a markedly different,more vibrant organization.”But what will be the nature of that difference?Merely expanding the orchestra’s repertoire will not be enough.If Gilbert and the Philharmonic are to succeed,they must first change the relationship between America’s oldest orchestra and the new audience it hops to attract.25.Regarding Gilbert’s role in revitalizing the Philharmonic,the author feelsA.doubtful.B.enthusiastic.C.confident.D.puzzled.
Text 1 The decision of the New York Philharmonic to hire Alan Gilbert as its next music director has been the talk of the classical-music world ever since the sudden announcement of his appointment in 2009.For the most part,the response has been favorable,to say the least.“Hooray!At last!”wrote Anthony Tommasini,a sober-sided classical-music critic.One of the reasons why the appointment came as such a surprise,however,is that Gilbert is comparatively little known.Even Tommasini,who had advocated Gilbert’s appointment in the Times,calls him“an unpretentious musician with no air of the formidable conductor about him.”As a description of the next music director of an orchestra that has hitherto been led by musicians like Gustav Mahler and Pierre Boulez,that seems likely to have struck at least some Times readers as faint praise.For my part,I have no idea whether Gilbert is a great conductor or even a good one.To be sure,he performs an impressive variety of interesting compositions,but it is not necessary for me to visit Avery Fisher Hall,or anywhere else,to hear interesting orchestral music.All I have to do is to go to my CD shelf,or boot up my computer and download still more recorded music from iTunes.Devoted concertgoers who reply that recordings are no substitute for live performance are missing the point.For the time,attention,and money of the art-loving public,classical instrumentalists must compete not only with opera houses,dance troupes,theater companies,and museums,but also with the recorded performances of the great classical musicians of the 20th century.There recordings are cheap,available everywhere,and very often much higher in artistic quality than today’s live performances;moreover,they can be“consumed”at a time and place of the listener’s choosing.The widespread availability of such recordings has thus brought about a crisis in the institution of the traditional classical concert.One possible response is for classical performers to program attractive new music that is not yet available on record.Gilbert’s own interest in new music has been widely noted:Alex Ross,a classical-music critic,has described him as a man who is capable of turning the Philharmonic into“a markedly different,more vibrant organization.”But what will be the nature of that difference?Merely expanding the orchestra’s repertoire will not be enough.If Gilbert and the Philharmonic are to succeed,they must first change the relationship between America’s oldest orchestra and the new audience it hops to attract.24.According to the text,which of the following is true of recordings?A.They are often inferior to live concerts in quality.B.They are easily accessible to the general public.C.They help improve the quality of music.D.They have only covered masterpieces.
What's the best title of the passage?__________A.My Letter to MotherB.Mother and ChildrenC.My Mother's DeskD.Talks between Mother and Me
Bob, a technician, needs to backup a user’s local My Documents on a Windows XP workstation.Which of the following is the QUICKEST way to the user’s folder?（）A、Browse to the root, Documents and Settings, user’s name, and then My DocumentsB、Browse to the root, Users, Documents and Settings, user’s name, and then My DocumentsC、Type %system% into the run boxD、Type %temp% into the run box, My Documents, and then user’s name
单选题Compared with a child’s response, an adult’s response to rhythm in music would be _______.Aless naturalBmore activeCmore restrained
填空题设S="My Music"，则LenStr（s）=（）